Thursday 17 September 2009

Script Editors Needed

FÁS Screen Training Ireland is seeking two script editing participants for its Story Development for Film & Television course. These two participants will work with the writers on the course, under the tutelage of Valery Ryan, who has worked as a script editor on such shows as Cracker and Prime Suspect, and leads the two courses for script editors run by BBC Training.

The aim of this course is to enhance participants' understanding of the story development process for both for serialised content and feature films. The course will mentor eight projects through 3-4 months of development from idea to first draft stage – four television projects, and four feature projects. Through project development, participants will gain an understanding of the TV drama and feature film development process, the different drama formats, how cinematic and televisual storytelling differ, and the roles and responsibilities of writers, script editors, directors and producers in the development process.

The script editing strand of the programme seeks two participants to apply without a project, and collaborate on writer-only participating projects. These script editor participants will attend all project sessions and also partake in additional sessions in order to enhance their story development, communication, and production skills. These two participants can be freelance script editors seeking to enhance their skills, development assistants in production companies, assistant script editors on television, or development personnel seeking to enhance their understanding and engagement in the script development process.

At the end of the programme, these script editors will have the option to partake in a work placement scheme, during which they will receive an allowance while working on a television drama, shadowing an experienced script editor and being trained in the production skills pertinent to the role of script editor. This work placement will take place between October and December 2009.

For further details, please contact Sorcha Loughnane at 6077468, or email sorcha.loughnane@fas.ie.

Preservation Assistant Needed

The Radharc Trust - an independent charitable organisation working to promote Christian and positive human values in the media - manages the Radharc Archive of 400 documentaries produced by the Radharc production team between 1961 to 1997.

The Radharc Trust needs a preservation assistant to undertake a preservation assessment and documentation project for the Radharc Collection at the Irish Film Archive resulting in a detailed collections management report.

The Preservation Assistant will be employed on a 12-month contract by the Radharc Trust and will work under the day-to-day direction of the Head of the Irish Film Archive at the Irish Film Institute.

A full job description can be found at the IFI web site.

Applications (C.V. and cover letter) must be received by Friday the 25th of September.

Wednesday 16 September 2009

First World Conference of Screenwriters

The first World Conference of Screenwriters will take place in Athens, Greece during the 6 & 7 of November 2009.

The Conference will bring together all of the member Guilds and Unions of the Federation of Screenwriters in Europe – who initiated the project – and the members of the International Affiliation of Writers Guilds.

Two hundred representatives from 30 guilds around the globe are expected to attend the meeting: they will be representing over twenty thousand writers worldwide.

During the two days of the conference the delegates will focus on the following topics:

  • The environment for production
  • Distribution of creative content
  • The role of multinational conglomerates
  • The writers' response.
Additionally a number of debates on related topics will take place over the course of the conference.
Among those already committed to be present will be Guillermo Arriaga (Golden Lion for the Burning Plain, Golden Palm for Best Screenplay for Three Burials of Melquiades Estrada Golden Globe for Best Screenplay for Babel, as well as several awards for 21 Grams, Amores Perros), Mateo Gil (Oscar for Mar Adentro and several awards for Abro los ojos, Vanilla Sky, Agora), Vincenzo Cerami (Oscar for La Vita e Bella and several awards for Porte Aperte a.o.), Marcos Bernstein (Golden Bear and Golden Globe for Central do Brasil), Milcho Manchevski (Golden Lion for Before the Rain and several awards for Dust and Shadows), Paolo Sorrentino (Jury Prize in Cannes for Il Divo), Sergio Sanchez (Goya for Best Original Screenplay for The Orphanage), Stefano Rulli (several awards for La Meglio Gioventu, Mio fratello e figlio unico a.o.), Guy Hibbert (Sundance Screenwriting Award 2009 for Five Minutes of Heaven), Razvan Radulescu (several awards for The Paper Will Be Blue and The Death of Mr. Lazarescu), Mark O'Halloran (several awards for Adam and Paul and Garage), Srdjan Koljevic (several awards for The Trap and Red Colored Grey Truck).

Countries represented include Argentina, Australia, Austria, Belgium, Brazil, Bulgaria, Canada, Denmark, Finland, France, Germany, Great Britain, Greece, Hungary, Iceland, Ireland, Israel, Italy, Japan, Mexico, Netherlands, New Zealand, Norway, Poland, Portugal, Spain, Sweden, Switzerland, Turkey, United States of America.

The Irish Playwrights and Screenwriters Guild will be sending delegates to this historic conference, to participate and discuss the important issues that face screenwriters around the world.

FSTI Bursaries

FÁS Screen Training Ireland is looking for applications for the Screen Training Ireland Bursary Award and Work Placement Scheme.

The purpose of the scheme is to expose industry practitioners to the best training expertise, work situations and mentoring internationally. The scheme is open to experienced industry professionals and enables successful bursary recipients to participate in international training programmes, work placements and mentoring to assist their professional development.

Bursaries are awarded to ensure professional development and skill enhancement in line with international work standards.

FÁS Screen Training Ireland offers two types of bursaries to applicants:
  • Funding to attend training courses and workshops abroad
  • Support funding to participate in a structured work programme within international companies and organisations
For further information please contact Emer MacAvin on 01-6077423 or email emer.macavin@fas.ie

Tuesday 15 September 2009

Europeans Still Like Cinema

Last week the European Audiovisual Observatory released a report that summarises cinema attendance across Europe for the first half of 2009.

With an estimated 348 million tickets sold between January and June 2009, cinema admissions in the big 5 European Union markets increased by 3.8% year-on-year. Cumulative growth was primarily driven by an impressive 14.5% rise in the UK, representing the strongest result in seven years, as well as increasing cinema attendance in Germany (+6.5%) and in Spain (+7.9%). Among the most successful films during the first six months of 2009 was Angels and Demons making it into the top 10 in all five major markets and topping the charts in Germany, Italy and Spain. Other films appearing in multiple top 10s included Slumdog Millionaire, The Curious Case of Benjamin Button as well as Gran Torino and Fast & Furious. The 4.4% year-on-year decline France is due to the exceptional success of Bienvenue chez les Ch'tis in the first half of 2008, though strong results in July and August may reverse the full year trend.

The European Audiovisual Observatory estimates that the cumulative results for France, the UK, Germany, Italy and Spain account for about 76% of total admissions in the European Union. The development of these five markets generally serves as good indicator for the overall European trend. The growth in the big 5 markets as well as strong half-year results in many other European countries such as Sweden (+27%), Poland (+16%), the Netherlands (+12.3%), Norway (+8.1%), Denmark (+7%), the Czech Republic (+6.8%), Hungary (+6.2%), Ireland (+1.8%) or Portugal (+1.3%), suggest that despite the difficult economic environment cinema admissions across Europe increased in the first six months of 2009.

BAFTA New Writing Forum

The BAFTA Rocliffe New Writing Forum is accepting scripts submissions for the next two forums taking place at the 2009 International Screenwriters Festival in Cheltenham on 28 October, and at BAFTA headquarters in London on 30 November 2009.

An application form with full details on how to apply can be downloaded from the web site.

There is a a fee of £5.00 per script submission.

The closing date for submissions is 17.00 on 25 September 2009.

Monday 14 September 2009

Creative Arts Emmy Winners

The 2009 Creative Arts Emmys were awarded last night in Los Angeles.

There were many awards given out, but here are the nominees and winners for the writing categories:

Outstanding Writing for Nonfictional Programming
* Roman Polanski: Wanted and Desired (HBO) - written by Joe Bini, P.G. Morgan and Marina Zenovich
* American Experience (episode: "The Trials Of J. Robert Oppenheimer") (PBS) - written by David Grubin
* American Masters (episode: "Jerome Robbins: Something To Dance About") (PBS) - written by Amanda Vaill
* Make 'Em Laugh: The Funny Business Of America (episode: "When I'm Bad, I'm Better--The Groundbreakers") (PBS) - written by Michael Kantorand Laurence Maslon
* Penn & Teller: Bullshit! (episode: "New Age Medicine") (Showtime) - written by Penn Jillette, Teller, Star Price, Rich Nathanson, Michael Goudeau, David Wechter, Cliff Schoenberg, and Sheryl Zohn

Outstanding Writing for a Variety, Music or Comedy Special
* Chris Rock for Chris Rock: Kill the Messenger (HBO) - written by Chris Rock
* 81st Annual Academy Awards (ABC)
* Louis C.K. for Louis C.K.: Chewed Up (Showtime)
* Will Ferrell for Will Ferrell: You're Welcome America. A Last Night with George W. Bush (HBO)
* Ricky Gervais for Ricky Gervais: Out of England (HBO)

The 2009 Primetime Emmys will be awarded next Sunday, the 20th of September. They were shifted back a week to avoid a clash with MTV's Music Awards ceremony.

Venice 66 Awards

The winners have been announced at the 66th Venice Film Festival.

  • Golden Lion for best film: Lebanon by Samuel Maoz (Israel, France, Germany) - co-written by Samuel Maoz and Maoz Shmulik
  • Silver Lion for best director: Shirin Neshat for the film Zanan-e bedun-e mardan (Women Without Men) (Germany, Austria, France) - written by Shirin Neshat
  • Special Jury Prize: Soul Kitchen by Fatih Akin (Germany) - written by Fatih Akin
  • Coppa Volpi for Best Actor: Colin Firth in the film A Single Man by Tom Ford (USA) - co-written by Tom Ford and David Scearce
  • Coppa Volpi for Best Actress: Ksenia Rappoport in the film La doppia ora by Giuseppe Capotondi (Italy) - co-written by Alessandro Fabbri, Ludovica Rampoldi and Stefano Sardo
  • "Marcello Mastroianni" Award for Best New Young Actor or Actress: Jasmine Trinca in the film Il grande sogno by Michele Placido (Italy) - co-written by Doriana Leondeff, Angelo Pasquini and Michele Placido
  • "Osella" for Best Technical Contribution: Sylvie Olivé for the film Mr. Nobody by Jaco van Dormael (France) - written by Jaco van Dormael
  • "Osella" for Best Screenplay: Todd Solondz for the film Life during Wartime by Todd Solondz (USA)

Thursday 10 September 2009

Darklight X Announced

Darklight X: New World Order (October 8 - 11), Ireland's celebration of art, film and technology, is a three-day event involving performances, screenings, workshops, seminars, symposiums, visual art happenings and much more. This year the festival is taking over Dublin's Smithfield district, where the Lighthouse Cinema and other venues will host a feast of events.

Highlights include:

  • A public interview and workshop with legendary music video director Mark Romanek. Mark directed the classic video for "Hurt" by Johnny Cash, and has worked with everyone from Michael Jackson and Madonna to Nine Inch Nails and Jay-Z.
  • The Irish premier of a major new video instillation, Three Potential Endings, from two-time Turner Prize nominee Willie Doherty, on Smithfield Plaza.
  • A celebration of Oscar-nominated Irish animation company Brown Bag.
  • Collaborations with cutting-edge Irish companies thisisnotashop, Synth Eastwood, Nartystation and Performance Corporation.
  • A discussion with Anna Troberg, the Vice-Chairwoman of Sweden's Pirate Party the political outfit dedicated to radical copyright reform who recently won two seats in the European elections.
  • Ten Irish filmmakers conspire to produce a brand new feature film in seven days! It's our latest DIY movie spectacular, Hotel Darklight!
  • The World Premiere of Vincent Moon's stunning Irish-lensed concert movie R.E.M. Live At The Olympia.
  • The debut of Virtual Cinema 2.0, the Irish Film Board's latest round of cutting-edge on-line short films.
  • A screening of Brendan Muldowney's Savage, the most controversial Irish film of 2009.
  • A weekend long Performance Lab with acclaimed artist Amanda Coogan.
  • The EA Hub Gaming Station, a spectacular outdoor gaming extravaganza.
  • O Canada! Screenings celebrating 70 years of the Canadian Film Board.
  • Plus: The Straylight visual art trail and unexpected happenings aplenty...
Booking information will be available on the web site from Friday, September 11 2009.

Wednesday 9 September 2009

Herald Angel Sings for the Gate

On Saturday the Gate Theatre won the prestigious Herald Angel Award at Edinburgh for its Gate|Friel festival - a trilogy of plays by Irish playwright Brain Friel: Faith Healer, Afterplay, and The Yalta Game.

The Arts Council chairwoman Pat Moylan said: "coming hot on the heels of the success of Elaine Murphy's Little Gem [co-produced by Gúna Nua and Civic Theatre Tallaght], this is more great news from the Irish arts sector. Once again we see an example of the way Irish theatre holds its own all over the world, and it is fitting that the work of Brian Friel, in the year of his eightieth birthday, should be honoured in this way."

Ms. Moylan went on to say: "this demonstrates how the strategic partnership between the Arts Council, as the funder of so much original and innovative Irish work, and Culture Ireland, as the agency responsible for promoting that work overseas, can achieve significant results of which all Irish people can be rightly proud. Here's to more home-grown work wowing audiences at home before taking the world by storm in the years ahead -- despite the economic gloom! The message which can be taken from these successes when it comes to Ireland's international reputation is clear and simple: art matters."

There will be twenty performances of the Gate|Friel season at the Gate Theatre in Dublin, from today until Saturday 19 September.

SWF Approaches

The 4th International Screenwriters' Festival, takes place 26-29 October 2009 at the Cheltenham Ladies College in the English Cotswolds.

The festival will provide an opportunity for writers to connect with directors, producers, agents, development and studio execs, financiers and commissioners. It is a meeting place for screen storytellers in film and television, as well as in the fields of digital/online and gaming.

At the festival projects get picked up, new partnerships and alliances are forged and delegates are offered a menu of events that include keynote speeches, seminars, screenings, masterclasses, workshops and limitless networking opportunities with commissioning, production and agency talent.

The festival programme embraces all genres and attracts writers (both established and new), producers, directors, agents, developers, financiers and film executives. Last year saw some 600 attendees from 15 countries that included Australia, Spain, USA, Canada, France and Italy.

A 2 Day Ticket costs £246.00, and a 4 Day Ticket costs £389.00.

Also, Nicola Depuis is looking for writers with experience writing LBGT characters for film and television to take part in a symposium she is hoping to arrange at the Screenwriters Festival on the subject of writing LGBT characters for the screen. Please contact Nicola at 085-7874149 if you are attending the conference and have some background in this area.

Tuesday 8 September 2009

Artists Tax Exemption is Deadweight, says Tax Commission

The Irish Times points out today that while the Tax Commission recommends the scrapping of the Artists Tax Exemption because it is a "deadweight" element, it proposes maintaining the Sportsperson's relief (subject to a cap) partly because of their "encouragement of positive role models which younger people may seek to emulate."

Here is the entire text of the reasoning behind the scrapping of the Artists Tax Exemption, as listed in the Tax Commission's report:

13.23 Artist’s exemption

Description
Income derived from original and creative artistic works (of artists, writers, composers and sculptors), which are recognised as having cultural or artistic merit, is exempt from income tax.

Conclusion
This exemption is not compatible with the equity principle. In addition, it is likely that the exemption involves a significant deadweight element in that the beneficiaries of the relief are likely to engage in their creative activities regardless of the existence of the relief. It is of no benefit to artists whose income does not reach the taxable threshold.

While the tax exemption may have created an environment in which the arts can flourish, considerations of equity and efficiency outweigh this factor and, accordingly, we recommend that the exemption be discontinued. To the extent that there is a need for recognition of income from artistic activity in the tax system, this should focus on those who derive their income solely or predominantly from creative work and in this context, income averaging may have a role to play.

In making this recommendation we note also the fact that the Arts Council operates a system of grants in support of all arts disciplines.

Recommendation 8.98
The artist's exemption should be discontinued; consideration should be given to introducing income averaging in the taxation of income from creative work.

The emphasis in the quoted material is my own.

The concept that Artists should not receive any relief for their work because they would engage in it anyway is simply a leap of imagination on the part of the Tax Commission entirely without any factual basis, and implies an utter disdain for the work of Artists and their contribution to Irish culture. It also implies that Art has no cost: as if the time, materials, and tools that Artists require to perform their work is free.

In relation to the gross generalisation about the Arts Council funding, it is imperative to point out that there is intense competition for those grants, not everyone is in receipt of that aid, and the Arts Council is facing a vicious cut of its budget, which will result in a significant reduction of those few grants.

Thus the Tax Commission is going to scrap the Artists Exemption partly based on the concept that Artists are receiving grant aid - which most Artists don't receive on any kind of regular basis!

At no point is it noted that the payment of Artists in Ireland is calculated upon the fact that they are tax exempt, and if the exemption is scrapped Artists will need an equivalent pay increase - which no theatrical/production/publishing company or gallery is going to be able to match in this economy.

The dirty secret in Ireland is that writers/artists/musicians on the whole are vastly underpaid, not even matching the hourly minimum wage. It's true that many Artists' incomes don't meet the taxable threshold, but this horrific fact is not given any consideration.

The only argument in favour of getting rid of the tax exemption would be if it resulted in an improvement of Artists' wages (which would bring in a proper revenue stream for the government). This would require a mandatory overhaul of the payment schemes for Artists in Ireland. Yet, clearly this idea has never entered the consciousness of the Tax Commission.

It's going to scrap a scheme that has allowed Artists to endure the long process of establishing a career (often reckoned at ten years) on low and inconsistent incomes. The Tax Commission makes a throwaway concession that Artists often endure on erratic wages (one large payment may have to cover several years work), but doesn't offer any comprehensive solution for this issue.

And apparently sportspeople make excellent role models for young people, but Artists do not.

If the Tax Commission's recommendation comes to pass then certainly Artists won't be role models for young people, because they will be on the streets, broke.

BBC Radio Sketches Needed

The BBC 4 sketch comedy radio show, Recorded for Training Purposes, is searching for new writers.

The third series went out in January 2009. For that run there was a core writing team of people who’d written on the first two series but the show was also opened up to, well, anyone who wanted a go. Of the 110 sketches broadcast, exactly half were from the core writers, with the other half being sent in by non-commissioned writers.

Every sketch sent in (about 2,000) was read by at least two people from BBC Radio Comedy, with the best stuff gradually being filtered towards the recording scripts, and the stuff that got most laughs getting on air.

It has a cast of six - three men, three women - who can, between them, play most ages.

Series four will, like series three, be written by a mix of a) some people who have written on previous series and b) everyone else in the world.

Only two sketches will be accepted per applicant - details on how to apply on are on the web site.

The deadline for entries is: 12:00 (midnight), 2 October 2009

Hardy Bucks Win Storyland

The winners of RTÉ's Storyland webisode competition is Hardy Bucks. The final episode will be online today.

The series is co-written by Martin Maloney and Chris Tordoff, directed by Tordoff, and produced by Maloney.

Monday 7 September 2009

Irish Times on Artists Tax Exemption

The Irish Times also reports on the recommendation to end the Artist's Tax Exemption, and quotes Pat Moylan, Chairwoman of the Arts Council, extensively in the piece:

Ms. Moylan warned that the loss of the tax exemption could discourage people from continuing a career in the arts, and denied it was a "rich man's relief".

"The greatest number of its beneficiaries struggle for financial viability on a year-on-year basis. This is true of relatively unknown beneficiaries, as well as certain of Ireland’s most internationally renowned and critically acclaimed artists," she said.

"Arts Council research has shown that over half the beneficiaries of the Scheme have average earnings of less than half the minimum wage. Of the two per cent who are considered high earners, most of whom are in popular music and writing, only one-third of their income qualifies for the relief."

Ms Moylan said having high profile artists such as U2, Louis le Brocquy, Seamus Heany, Jim Sheridan, Roddy Doyle, John Banville and others resident in Ireland was important for the country's profile.

"Apart from the global perception this creates for Ireland, it has helped put in place world class local infrastructures in artistic management and technical expertise. For up and coming artists, this is of considerable assistance. Without the high earners, who support the infrastructure in a major way, this professional layer would be lost to Ireland," she said.

Artist's Tax Exemption Information

I reported recently on the recommendation in the latest report by the Commission On Taxation to scrap the Artist's Tax Exemption.

Since our members are most likely in the process of petitioning their government representatives I thought it useful to inform everyone that there is a .pdf copy online of the 550-page report.

To save anyone wading through the document I can point out that the part in relation to the Artist's Tax Exemption is a mere two lines on page 27:

8.98 The artist's exemption should be discontinued; consideration should be given to introducing income averaging in the taxation of income from creative work.

It's astonishing how such a bald statement can impact so many lives so severely.

Storyland Final

Voting closes today at 5pm for RTÉ's webisode competition Storyland. The Finalists are:

  • Hardy Bucks
  • Rental Boys

Friday 4 September 2009

Screenwriting for Beginners

Ferdia Mac Anna -- Novelist, Playwright, Screenwriter and Lecturer in Film and Drama -- is offering a Screenwriting for Beginners course, starting on Sunday, September 20, 2009 from 10am - 1pm.

The 8 sessions are aimed at beginners or those with some script writing or fiction writing experience and will cover Character Creation, Writing Treatments and Loglines, Emotional Writing, Visual Writing, Scene Breakdowns, Plot, The Three Act Structure and Dialogue.

By the end, the participant should have written several key scenes and established key plot points and crucial story structure elements for their screenplay. They should also have created one or more plausible characters.

The course will cover some TV drama as well as feature film writing.

It will take place every Sunday morning at Sundrive Road, Kimmage, Dublin 12, and the fee is €600.

Those interested in attending the course can contact Ferdia on 087-2957433.

Thursday 3 September 2009

EU People's Choice

Voting is open in the People's Choice Award, which allows film fans across Europe to elect their favourite film.

Every year, when the European Film Academy invites its members, Europe's greatest film stars, directors, producers, cinematographers, screenwriters, designers, but also industry representatives and the international media, to attend the European Film Awards, the People's Choice Award sheds a spotlight on the people films are made for: the audience.

Those who vote could win a chance to attend the 22nd European Film Awards on Saturday the 12th of December in Germany’s Ruhr Metropolis, the European Capital of Culture 2010.

The nominees are:

THE BAADER MEINHOF COMPLEX
Director: Uli Edel
Screenwriter & Producer: Bernd Eichinger

BROKEN EMBRACES
Director: Pedro Almodóvar
Screenwriter: Pedro Almodóvar

COCO BEFORE CHANEL
Director: Anne Fontaine
Screenwriters: Anne & Camille Fontaine

THE DUCHESS
Director: Saul Dibb
Screenwriters: Jeffrey Hatcher, Anders Thomas Jensen & Saul Dibb

FLY ME TO THE MOON
Director: Ben Stassen
Screenwriter: Domonic Paris

THE GIRL WITH THE DRAGON TATTOO
Director: Niels Arden Oplev
Screenwriters: Rasmus Heisterberg & Nikolaj Arcel

LET THE RIGHT ONE IN
Director: Tomas Alfredson
Screenwriter: John Ajvide Lindqvist

MID-AUGUST LUNCH
Director: Gianni di Gregorio
Screenwriter: Gianni di Gregorio

SLUMDOG MILLIONAIRE
Director: Danny Boyle
Screenwriter: Simon Beaufoy

TRANSPORTER 3
Director: Olivier Megaton
Screenwriters: Luc Besson & Robert Mark Kamen

Free Abbey Tickets

For Culture Night, on Friday 25 September, the Abbey Theatre is giving out 25 free tickets for both the Abbey Talk with Enda Walsh (6-6.45pm) and The New Electric Ballroom (8pm) on the Peacock stage.

To get a free ticket ring the Abbey Theatre Box Office on (01) 87 87 222 or call in on 25 September from 10.30am. Tickets will be given out on a first-come first-served basis.

Wednesday 2 September 2009

Little Gem Wins Award

At the weekend the Carol Tambor Best of Edinburgh Award, the highest honour at the Edinburgh Festival Fringe, was awarded to Little Gem written by Elaine Murphy and directed by Paul Meade, produced by Gúna Nua Theatre Company and the Civic Theatre, with support from Culture Ireland.

Carol Tambor and members of her Foundation, along with The Scotsman's arts writers Joyce Macmillian, Jackie McGlone and Mark Fisher, chose the winning production.

Carol Tambor said: "Little Gem is a little gem. It has exciting language and exciting acting, and the moment I sat down I was totally involved. I loved the family in the play, and the special relationship between the three generations of women felt really authentic."

Eugene Downes, CEO of Culture Ireland, commented: "For a new Irish play to win the most prestigious award at the world's largest arts festival is an extraordinary achievement for Elaine Murphy, for Gúna Nua and the outstanding cast of actors. It's striking evidence of Ireland's world-class success in the arts. This award opens the door to New York and Culture Ireland looks forward to working closely with the Carol Tambor Foundation to promote Little Gem.'

The Carol Tambor Theatrical Foundation was established to bring excellent dramatic work to the New York audience by funding a New York run. The mission to support artists in their desire to be seen and produced is carried out with no financial or commercial involvement in their future success.

Free Theatre Tickets

Ulster Bank, the main sponsors of the Dublin Theatre Festival, are offering free tickets to the Indian production Manganiyar Seduction at the Gaiety Theatre available on a first-come first-served basis.

The 1,000 free tickets will be valid for the September 23rd show. According to the festival programme the play is "the most colourful, joyous and inspiring show likely to be seen this year."

Register for the free tickets via their web site.

Bursary Deadline Extended

The Arts Council announced recently that the deadline for the next round of Bursary awards (originally 5 November 2009) has been extended and the new deadline is 21 January 2010.

The Bursary Award is focused on individual artists. The primary purpose of the Bursary Award is to support professional artists in developing their art. It aims to provide artists with the time, resources and freedom to think, research, reflect and develop their practice.

Revised application forms and guidelines will be available shortly.

Edinburgh Fringe Prize 2009

The winners of the Edinburgh Fringe Prize 2009 were announced on Monday:

The prize was awarded to three of the most innovative theatre makers appearing at the Edinburgh Festival Fringe 2009. All three will be invited to present a work in progress as part of the Edinburgh International Festival's Behind the Scenes programme in 2010.

Tuesday 1 September 2009

Don't Make Me Laugh

The Irish Film Board has announced that it is organising a panel discussion at the Dingle Film Festival called Don't Make Me Laugh, which will explore the art of writing comedy for the screen

Don't Make Me Laugh will be chaired by IFB Development Executive Andrew Meehan and panelists will include Emmy Award winning screenwriter Marc Flanagan; stage, radio, screen and TV writer Pearse Elliot, (Man About Dog); and producer Ned Dowd. The seminar will explore the challenges of writing comedy for the screen, different ways of developing character, the role of TV in developing talent as well as looking at what makes comedy travel.

Marc Flanagan is a two-time Emmy award-winner, writer and producer of the very funny Tracy Ullman Show while Pearse Elliot wrote and directed the Irish comedy box office success Man About Dog as well as The Mighty Celt. Ned Dowd is producer of a number of comedies including Shanghai Noon and The Wonderboys. The panel will take place in the Festival Marquee, Garden Café on Friday 10th September.

Following on the theme of comedies there will be a special screening of award winning Irish short comedies on Sunday 13th September at 11am in The Phoenix Cinema. The mix of animated and live action shorts include Granny O'Grimm's Sleeping Beauty, Whatever Turns You On and The Wednesdays.