IFTN reports that Ciarn Foy's short film, "The Faeries of Blackheath Woods", won the Best Horror award at the Melbourne Independent Filmmakers Festival, which took place on the 2nd and 3rd November in Melbourne, Florida.
At a wonderful event at the Sugar Club, which was wittily MCed by Senator David Norris, the 2007 ZeBBies were announced:
The WGA has established a blog called United Hollywood, which will follow the day-to-day business of the writers' strike in Hollywood.
Hollywood screenwriters and WGA Contract/Picket Captains discuss why they are united with their Guilds in the forthcoming strike.
The boards of both American Guilds (East and West) have officially accepted the recommendation of their negotiating committee and approved a strike of their members against the member companies of the Association of Motion Picture and Television Producers commencing at 12.01am on Monday morning the 5th November 2007 (8.01am our time).
The Chairperson of Irish Playwrights & Screenwriters Guild, Audrey O'Reilly, has written to the Chairs of both American Guilds expressing the Guild's complete support for its colleagues in the United States and its admiration of their determined fight for principles that are essential to all writers, not just the members of the American guild. As you will know from the media the position adopted by the producers in their negotiations with the Guild was extraordinarily aggressive from the beginning. Their intention is clearly to ensure that income from internet distribution will not be shared with the creators of the content that they distribute.
This issue is remote from the day to day life of most writers but in fact it is the key issue for the future. We are fortunate to have the Writers Guild of America so determinedly fighting for this base-line principle on behalf of all writers.
The IPSG is a member of the International Affiliation of Writers Guilds. The members of the IAWG have agreed "To the greatest extent permitted by contract and law to honor work stoppages, publicize information about work stoppages to their respective memberships, and to lend all aid possible to each other in support of negotiating goals."
Consequently the IPSG requests members of the Irish Guild, and Irish writers in general, not to accept work from any member companies of the AMPTP for the duration of the strike.
Members of the IPSG and Irish writers in general should be aware of Rule 13 of the WGA Strike Rules which states:
"The Guild (WGA) does not have the authority to discipline non members for strike breaking and/or scab writing. However, the Guild can and will bar that writer from future Guild membership. This policy has been strictly enforced in the past and has resulted in convincing many would be strike breakers to refrain from seriously harming the Guild and its members during a strike."As Bernie Corbett, General Secretary of the Writers' Guild of Great Britain put it in a statement to British writers: "Strikebreaking would have a devastating long-term effect on a writers' US career."
The New York Times reports that unless a deal is struck over the weekend Hollywood screenwriters will be on strike as of Monday.
The leaders of the Writers Guild of America West and the Writers Guild of America East were expected to order their roughly 12,000 members covered by a contract with the Alliance of Motion Picture and Television Producers to stop work and be assigned picket duty when the strike begins.
The strike call follows more than three months of contentious negotiations. Ultimately, the two sides gridlocked over the writers’ insistence on a sharp increase in their residuals payments for the re-use of movies and shows on DVDs and on new payments for the distribution of such works on the Internet, over cell phones and elsewhere. Producers refused to boost the DVD payments and rebuffed demands related to electronic distribution, arguing that industry economics and still-shifting technology made accommodation impossible.
TG4 and Dearg Films are looking for scripts in Irish for their forthcoming TV series Seomra a Sé, which will be broadcast live in March 2008.
The series will entail four half-hour dramas in any genre, which will be set in a hotel suite: number six of course. This means that each 25-minute script needs to be written in Irish, suitable for a live performance, and has to remain within the confines of a hotel suite that has a bedroom, living area, bathroom and bar.
The closing date for application is December 14, 2007.
An amusing video that indicates what some Hollywood writers might be doing come November 1st.
The run-up to awards season in Hollywood has started with all the "For Your Consideration" adverts in the glossy trade magazines.
This year, Universal Studios is making the screenplays of six of its films available to download. Which is very nice if you like to read other writers' scripts. Enjoy:
Members of the Irish Playwrights and Screenwriters Guild are reminded that they only have five hours left before voting closes on this year's ZeBBie Awards.
Login and cast your vote now for the best Irish writing for film, radio, television and theatre in 2007.
The shortlist for the Catalyst programme has been announced. The ten projects now face an interview process to be whittled down to three. The shortlist is:
The shortlist from the June 2007 application round for the Filmbase/RTÉ Short Film Award 2007 has been announced:
Happy Hour by Patrick Chapman, Take Me With You by Aaron O'Reilly, The Elusive Punch Line by Colin Corrigan, O Blessed Water by Morgan Bushe, Mitching by Michelle Fennessy, Tart by Martín de Barra, Man Befriends Corpse and Tree Story by Pete Moles, Matched by Eamon Quinlan, and Nightclubbing by Carol Murphy.The three winners will be announced in mid-November on the Filmbase web site.
Director John Carpenter discusses horror films over on Entertainment Weekly.
Those of you looking for a horror film fix over the upcoming bank holiday should attend the Horrorthon, in the IFI in Dublin, from October 25th- 29th. If you don't want to indulge in scary movies all weekend you could always drop into the 6th Dublin Electronic Arts Festival, which is taking place in St. Audoen's church, in Cornmarket on High Street.
IFTN reports that John Carney's low budget film Once has been short-listed for the Best Foreign Independent Feature in the 10th Annual British Independent Film Awards. Cillian Murphy is also among the nominees for the Best Actor award for his performance in the sci-fi film Sunshine.
Bord Scannán na hÉireann/the Irish Film Board (IFB) has pledged €1 million to a new project aimed at encouraging a variety of new short film schemes.
The Signatures scheme will be the flagship scheme showcasing live action filmmaking, encouraging strong, original storytelling, visual flair and production values appropriate to the big screen. The scheme will fund up to 6 live-action, fiction films with a maximum budget of €90,000 each per year. These shorts will act as a proving-ground for Irish creative talents aspiring to write, direct and produce films for the cinema and will offer an opportunity to work in a professional environment and bring their experience up to the next level. Filmmakers on this scheme will also offer invaluable chance to work closely with an experienced mentor from the Irish film industry.More details about these new schemes should be available on the website later today.
Reality Bites is a new short documentary scheme which will fund up to 3 films with a maximum budget of €20,000 each per year. It aims to encourage experimentation and realisation of fresh approaches to non-fiction filmmaking, whether the documentary is journalistic or creative, observational or aesthetic, objective or personal.
The Virtual Cinema scheme aims to encourage cinema for the You-Tube generation by funding up to 10 high quality shorts per year which are suitable for viewing across multi-platforms. The films which can be live-action or use any kind of animation technique as there are no creative holds barred, will be maximum two minutes in duration. These films will be launched exclusively for an online audience.
As well as the brand new shorts, the established and successful Short Shorts film scheme has been modified. This scheme, which funds up to seven, 3-5 minute films per year aims to encourage the making of films which are innovative, provocative or idiosyncratic in their content or style or both. The shorts, whether live-action or animated films should now ‘tell a story' within a particular genre chosen for that year- e.g. love story, thriller, musical, horror etc. It is hoped that having the shorts packaged together under a specific theme or genre will allow the IFB to market the Short Shorts more effectively.
The Frameworks animation scheme, co-funded by the Arts Council, RTE and the IFB will continue in its current successful format.
Films commissioned under the Signatures and Reality Bites schemes will be launched at the Cork Film Festival next year.
The deadline for applications for Signatures and Reality Bites is December 14th.
There's an interesting interview in The New York Times with lauded film director Sidney Lumet, who has made 44 feature films during a career that has so far stretched fifty years.
Filmbase alerts us to the fact that the new bilingual six-part comedy drama series, Paddywhackery, will air on TG4 on Wednesday, October 24th at 9.30pm.
Funded by TG4, the Sound & Vision Scheme of the Broadcasting Commission of Ireland and Section 481 funding, Paddywhackery was co-written by Daniel O'Hara and Paddy C Courtney, with Dough Productions' Grainne O'Carroll producing and Daniel O'Hara directing.
Director and co-writer Daniel O'Hara said, "People think the Irish language is all about Aran jumpers and Peig Sayers, but we wanted to make something that was relevant to and entertaining for an audience that doesn't necessarily speak Irish. I don't think that people have seen anything like this before on Irish television. There's a surreal quality to it and a sense of humour which is original. Because we've been lucky enough to have big stars like Fionnuala Flanagan and Frank Kelly on board I hope that results in people checking it out. I'm quite confident that if people have a look they'll want to see more."
The LA Times reports that 90% of the members of the Writers Guilds of America have voted to strike if a new contract can't be negotiated with the major studio before it expires on October 31st. It's a record response from the 12,000-strong membership.
Writers have rallied behind a theme that might best be summed up by the Who's hit song "Won't Get Fooled Again." Writers maintain they were shortchanged years ago when they agreed to a discounted pay formula for home video sales, only to see that business take off. And they're determined not to make the same mistake again as the digital revolution upends the entertainment industry.
"The guild made a bad deal 20 years ago and they've been angry ever since and they don't want to do it again," said Jonathan Handel, an entertainment industry attorney with TroyGould in Los Angeles and a former associate counsel for the Writers Guild. "That's why we're seeing a line drawn in the sand."
For their part, the studios maintain that DVD sales are needed to offset rising marketing and production costs, and they contend that it's too early to lock into pay formulas for shows distributed online because technologies are rapidly changing and they're still grappling with uncertain business models.
The Stage reports that the Arts Council has announced grants of more than €1.25 million to 23 of the country’s theatre, opera and circus companies, organisations and venues as part of a €5 million package to 114 arts bodies awarded under a newly instituted Annual Programming Grant scheme.
Among the major beneficiaries are Cork Opera House, which is to receive €200,000, the Civic Theatre, Tallaght (€160,000) and the Cork-based Opera 2005 company (€110,000).
Dublin theatre companies Loose Cannon and Hatch are to receive €98,000 and €75,000 respectively, and Waterford's Theatre Royal €80,000. Four circus companies will share more than €210,000 with the lion’s share of €75,000 going to Tom Duffy's Circus.
Among the other recipients, Galway's Chrysalis Dance has been awarded €16,780 with two national bodies, the Drama League of Ireland (€57,000) and the Association of Irish Stage Technicians (€16,000), to receive five-figure awards.
Filmbase and TG4 have announced the deadline for the 4th round of Lasair, the award scheme for short films made in the Irish language.
Up to six films will be produced, and the fund has been doubled so that there is €20,000 available per film.
Dramas, animation and other fictional work in Irish or Irish/English are welcome, and should be shot on DVCam and finished for TV broadcast. Submissions should include the application form, which can be downloaded from the Filmbase web site. The deadline for receipt of applications is 5pm, Monday 19th of November.
The aim of Lasair is to encourage emerging filmmakers to express their creativity through the development of imaginative short films. Since it was launched in 2001, it has led to the production of 17 Irish language short films in a range of genres. Films made through the scheme include James Finlan's black and white film noir spoof Éireville, Declan de Barra's animation An Fiach Dubh and Colm Bairéad's poignant drama Mac an Athar. Audiences will be familiar with the 2003 hit Yu Ming is Ainm Dom which was also made under the scheme. This short, directed by Daniel O'Hara, has screened worldwide and has scooped numerous awards at festivals including the Aspen Shortsfest (2004), Galway Film Fleadh (2003) and the Celtic Film and Television Festival (2004).
Director O'Hara has acknowledged that "the Lasair scheme gave me my first opportunity to direct drama with Yu Ming Is Ainm Dom and it was an important stepping stone to TV drama work like The Clinic and Paddywhackery. Without the Filmbase schemes it would be very difficult for young crews to raise the budget to make a short film. It's an invaluable learning experience, as well as a chance to show what you can do."
According to The Guardian YouTube has unveiled filtering tools that will allow owners of copyrighted material to block their content from appearing on the video-sharing website.
"We are delighted that Google appears to be stepping up to its responsibility and end the practice of infringement," said a lawyer for Viacom, Mike Fricklas, without specifying whether the new technology would affect the seven-month-old lawsuit, which will be examined by a US court later this month.
YouTube has been working on the new technology with engineers from Google ever since the latter bought it in a record $1.7bn (£835m) deal 11 months ago. Five months later, executives from both companies began promising the new copyright protection technology. "It has taken until now to get it right," said David King, a YouTube product manager, during a conference call with reporters yesterday.
Reuters reports the studio executives dropped a proposal to overhaul residual payments during the writers' contract negotiations in Hollywood yesterday.
"In the overriding interest of keeping the industry working and removing what has become an emotional impediment and excuse by the WGA not to bargain, the (studio negotiating team) withdrew its recoupment proposal," said Nick Counter, head of the Alliance of Motion Picture and Television Producers.
But he added that the studios and networks would stand firm against demands by the union to increase residual payments for DVDs, pay television, basic cable or reruns on two fledgling broadcast networks, the CW and My Network TV.
Higher residuals for DVDs has been a major demand of the guild, along with greater compensation for writers whose work is distributed through the Internet and other digital platforms. Residuals for various kinds of digital media were not explicitly mentioned in the studios' statement.
The WGA said it welcomed the studios' move to withdraw the new plan, but maintained its resolve to press forward on the other issues. "The remaining rollbacks would gut our contract and will never be acceptable to writers," the guild said in a statement.
The New York Times has a fascinating article about the burgeoning film industry in the tiny mountain kingdom of Bhutan. Tshering Penjore is now a full-time screenwriter (he wrote seven scripts in the pat twelve months), and yet a year ago he was aide de camp to Bhutan's crown prince.
Mr. Penjore's story is typical of the growing film industry in Bhutan, which until very recently had closed itself off, by choice, from the rest of the world. Last year a record 24 films were produced in the tiny Himalayan kingdom, population 700,000; in 2003 the total was only six. (India, by comparison, made more than 1,000 movies last year.) The only theater in Bhutan's capital city, Thimpu, is booked for the next nine months.There are only six theatres in the country that can screen films, therefore only films made in Bhutan are shown due to fierce demand. Films that follow the Bollywood formula are popular, and films that take a mimetic approach are less appreciated in Bhutan. In 1999 the revered Buddhist lama, Khyentse Norbu, created the country's first film, Phörpa (The Cup), and followed it in 2003 with Travellers and Magicians, which jump-started the film industry in Bhutan.
Budget constraints force filmmakers to use digital technology instead of film stock, and most of the players are self-taught. But directors are churning out movies at the dizzying pace of four a year. Sixty production companies are now registered with the Motion Picture Association of Bhutan.
According to The Globe and Mail India may not put forward any films for an Oscar in the foreign film category this year due to alleged bias in the selection process.
The Bombay High Court has asked the federation to respond to a lawsuit challenging the selection of well-known filmmaker Vidhu Vinod Chopra's Eklavya: The Royal Guard.The Academy of Motion Picture Arts and Sciences requires an entry in the foreign film category by Wednesday, and it seems unlikely the controversy will be resolved by then.
First-time director Bhavna Talwar filed a petition claiming one panelist on the 11-member jury had edited a promotional short film for Eklavya, and that two other jury members were also close to Chopra.
Talwar's Dharm was passed over for Eklavya, a thriller starring Bollywood superstar Amitabh Bachchan.
The winner of the 2007 Diversions Short Film Award has been announced as "The Faeries of Blackheath Woods", which was written and directed by Ciarán Foy. The Award is organised by Temple Bar Cultural Trust (TBCT) as part of the Diversions Festival, Temple Bar's free outdoor festival.
Ciarán has won a €5000 cash prize from TBCT and studio time at Filmbase worth an additional €5000. According to Ciarán, "Needless to say I'm truly delighted to win. Now I can finally afford another print! Diversions is a unique festival and there's a fantastic buzz seeing your film on an outdoor screen with a public audience. People seem to really respond to this little horror film and that's really the biggest compliment,"
The Faeries of Blackheath Woods, is Ciarán's first film since graduating from the National Film School of Ireland. The film, shot on the Powerscourt Estate, follows a young girl's bewitching encounter with faeries and discovery that they are not as sweet and kind as folklore would depict.
Alan Fitzpatrick of Filmbase commented, "In The Faeries of Blackheath Woods director, Ciarán Foy, set out to create an ambitious piece of short cinema. The result is a stunningly well realised and artistically crafted film which delights, enchants and surprises in equal measure. Ciarán displayed real talent and technical accomplishment in Faeries, marking himself as a director to watch in the future." 12 films were short-listed for the award and were screened at the famous Meeting House Square, preceding the Jameson Movies on the Square presentation.
